Baby Driver

Baby Driver
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All you need is one killer track.
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7.2/10 by 2216 users
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After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

Title:Baby Driver
Release Date:June 28, 2017
Runtime:
MPAA Rating:R
Genres:Action, Crime
Production Co.:Big Talk Productions, TriStar Pictures, Media Rights Capital, Working Title Films, Double Negative
Production Countries:United Kingdom, United States of America
Director:Edgar Wright
Writers:, ,
Casts:, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Plot Keywords:robbery, atlanta, music, crime boss, romance, tinnitus, car chase, car, getaway driver
Alternative Titles:
  • 玩命再劫 - [TW]
  • ปล้นเต็มสปีด - [TH]
  • Baby: El aprendiz del crimen - [AR]
  • 베이비 드라이버 - [KR]
  • Baby: El aprendiz del crimen - [MX]

Baby Driver Reviews

  • Starts out great, falls apart halfway through
    by fb123 on 7 July 2017

    134 out of 193 people found the following review useful:

    This movie had a lot of potential. It started out great, but it began to fall apart rapidly just after the halfway mark.

    A more complicated plot could have developed, but the second half just seems rushed. The movie could have gone in several different and more fulfilling directions, but it went full cheese instead. Disappointing. It ends up being just a variation of "The Last Ride" (2004).

    SPOILER ALERT

    It's a given that being in debt to a crime boss means your debt will never really be cleared, so that's okay for a movie.

    And you can suspend disbelief for driving physics and non-deploying airbags...

    But...

    Doc sending the third crew to meet with arms dealers was totally unnecessary for the job they had the next day, because they already had all the equipment they needed, so that whole scene was forced just for a plot device.

    Bats proved he was willing to kill for no reason, so there's really no reason he would have left Joe alive.

    There is no way Buddy would have been able to escape all those cops swarming him downtown. Then Buddy shows up again later after getting shot in the chest. Superhuman villains in a non-superhero movie tend to ruin the whole thing.

    Doc remaining in the place from where the heist was launched at risk of being caught for no reason (even though he knew it was botched) made no sense, just like his sudden change of heart in "helping" Baby made no sense.

    Oh and Jon Bernthal is only in the movie for about 10 minutes, so not sure why he was given top billing, when he's pretty much just an extra with a couple of lines. Baby's deaf foster dad had more lines (sign language) than Bernthal, yet he's not considered a main character.

  • Vomit worthy
    by Ali Shali on 14 July 2017

    273 out of 475 people found the following review useful:

    I saw the trailer and really wanted to like this movie. Who hasn't put some cool music on, put their ear pods in, and pretended their life was a couple times cooler than it really was?

    But after about 10 minutes of watching, I felt nauseous at the thought of how something with so much potential, with such good intentions, managed to screw it up so royally?

    The music part was a good idea - but at times it felt like it was washing out the plot and emotional connection to the action happening on screen. Like if the music wasn't there, I would just be looking at actors blinking at each other.

    Then the fact that every baddie (the character's co-workers in the movie) seems an already over-done clichéd archetype. The sleazy couple we're boring to watch, Jamie Foxx just seemed pointless and aggravating, and the others were annoying.

    The main guy (Ansel Elgort's character) seemed determined to take as much acting clues from Hayden Christensen's Anakin Skywalker. He spent most of the movie pouting and smirking which didn't help or damage anything. It just seemed like he was in the wrong movie - like we were accidentally looking at someone go about their day who's just waiting for their laundry to be done or something. He seemed like a nice guy, but kind of came across as an idiot.

    Then onto his relationship with the girl. The guy literally sees some chick twice, exchanges a couple of minutes of conversation. Then he's shooting people for her, they're running away together, and she apparently has no problem taking part in car chases and attempting to kill people. The girl doesn't have enough lines to show any personality whatsoever and there is no sense-able connection between the characters - none. Not to mention the fact that after this 3-or-so day romance (at the climax of which) the dumb-ass lead goes to jail for a couple of years, during these years the girl apparently has no life of her own and is sat there waiting for him with open arms like it was just yesterday. Because...love?

    The least aggravating character in the whole movie was the old man he was looking after and even that seemed like it was somehow overdone, though I'd never seen it before.

    Lastly, the guy's name is Baby. And boy, do they go on about it like they'd just discovered gravity. The young couple's longest conversation centers around the girl not being able to wrap her effing brain around the fact that the guy is called Baby - not because it's a really stupid name, no, apparently it's the best thing since tinned tuna. Because they're both music buffs and now they can ride around and listen to songs about Baby. (This was the point at which I pretty much wanted to claw my ears off.)

    I really don't get it - how does this movie have a 8.3 rating? Am I in the wrong and missing something that's glaring everyone else in the face? I feel like it would not have been impossibly difficult to fix these faults and make a really good movie with this base - it feels like the final cut of Medellin in Entourage that the director refuses to change. Maybe I'm a cynic, but this movie blows.

    That said - there were things that I liked. The pace was good, the modern-yet-vintage timeless feeling of the setting and generally anonymity of the setting that focused only on the story, the other characters besides the main guy (who would have done so much better with some better material), the diner motif, even the conversation wasn't completely terrible 100% of the time.

  • Little more than a mix tape with dull characters and clichés attached to it
    by Jack Hawkins (Hawkensian) on 15 July 2017

    156 out of 250 people found the following review useful:

    I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.

    Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.

    Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.

    If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.

  • The Coolest & Most Unique Film This Year
    by Calum Rhys on 29 June 2017

    233 out of 418 people found the following review useful:

    Edgar Wright remains one of my all-time favourite directors. Why? Because each and every film he crafts reeks of originality, he takes a few similar traits, throws them together, delves down a completely unexpected route and forms something unique, something masterful. From 'Shaun of the Dead' to 'Hot Fuzz' and so on and so forth, each film feels like something you think you've witnessed before, but on a whole new level, something fresh, something alluring, packed with adrenaline... and of course, 'Baby Driver' followed suit.

    'Baby Driver' is an utterly engrossing caper-comedy that is (in my personal opinion) the finest film to face 2017 so far, I couldn't help but smile throughout, from the stunningly executed action scenes and stunts, through to the soundtrack (with an abundance of classic rock and soul tracks) and finally the heavily relatable characters. The lack of disappointment in Edgar Wright's work continues with this masterful film, which is ultimately also one of the coolest films of the past decade or so.

    Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement, however when something like 'Baby Driver' makes an appearance, it's refreshing to know that indie films are still taking this planet by storm and shunting the blockbusters out of the limelight. To know that certain production companies still trust the creativity of a director over the monetary expectations, and by doing so, unleashing a flurry of fantastic independently "driven" films.

    I'm gonna finish with this (partially odd) statement / testimonial... when I went to sleep last night, I had odd dreams of car chases and stunt driving to rock classics, and that is thanks to this film, the fact that it stuck with me even when I wasn't fully conscious. That's how much of a damn cool film 'Baby Driver' is... just go watch it, just throw away your tickets to 'Transformers' and 'The Mummy' etc, and go see this instead.

  • A film so in love with itself, it needs its own cinema seat
    by Deathstryke on 2 July 2017

    111 out of 181 people found the following review useful:

    "Baby Driver" is showy, cliché-ridden and irritatingly self-aware. It's like that yappy drama society kid at college who is so consciously trying to act cool by breaking into song, dancing around chairs, drumming on desks and spitting jokey one-liners with a hand pistol flourish....the kind of person a cynical SOB like me just wants to punch in the throat.

    The central premise is about a young, good-at-heart kid forced into a life of crime in order to pay off a debt. The annoyingly slick, Abercrombie-faced "Baby" is not only the fastest getaway driver in Atlanta, we later find out he's also a self-taught music producer, dancer and talented free-runner...are you rolling your eyes yet?

    The main mechanic, so lauded by critics, is that everything in the film revolves around music, from the editing to the dialogue. Since Baby is constantly plugged into his i-pod (so, we are told, to drown out tinnitus from a car accident which killed his parents), the film essentially plays like one giant music video, with nearly every gunshot, tire screech and sassy put down edited meticulously with the beats or riffs of whatever track is playing during the sequence.

    Unfortunately for me, the songs didn't make what was happening on screen that much more interesting. While there are some splendid car chase sequences (too few in my book), one must endure cringey moments of Baby miming and dancing to James Brown, dull characters waxing poetic about song lyrics and saying cliché bull$hit like "Sometimes all I want to do is head west on the 20 in a car I can't afford with a plan I don't have". Everyone in the film is pretty, none of the gangsters really look like gangsters, least of all the Latina 'Darling', who can't even hold a gun convincingly and is just there to show cleavage and lick her lips at camera.

    Imagine the most indulgent ideas from Guy Ritchie and Tarantino's trash bin channeled through a Justin Bieber video. Less style and even less substance.

    There are no doubt people who will love it for being a showy piece of nonsense, and there is some entertaining, high impact action, but it's far from the genius some critics are praising it as. I saw it with a group of youngish people who all agreed it wasn't as good as they'd hoped and that some bits were just plain daft.

    Leave your brain at home and perhaps you'll be rewarded...

  • The world is a computer simulation and this @ 8.3 is a FAULT
    by zeio-4 on 16 July 2017

    207 out of 375 people found the following review useful:

    This thing is getting similar ratings on IMDb and Rotten to HEAT for Christ's sake. HEAT? This movie was deeply flawed. I only stayed to the end to see how bad it could get - its MST3K riffable bad.

    Its got a ton of plot holes. I almost want to pick it apart like I did Ghostbusters 2016. But I cant. Its not worth the energy. Please before going to pay for this in the theater think about if you would like a version of the already bad Furious type movies with even more plot holes, choreographing gun fights to music added in and fairly bad acting.

    Music is fair. I mean, its just not that great. Foxx and Spacey don't lift and acting finger. The "villain" changes like 4 times.

    And the best getaway driver is the one who never has to exceed the speed limit. This driver and his idiot crews get screwed every time into driving like maniacs from the police.

    I don't want to pee on Ansel Elgort's parade. Its not his fault. But to be 95%/90% on rotten, and 8.3 here, and in the mid 80s on meta? Come ON. Movie tix are far too expensive to dupe people into seeing this. It does seem like the rating system is being rigged for this.

    I wish Ansel well, and hope Ed Wright and the crew can put together better stuff but man, either this is the sign of the times or there is a fault in our reality simulator.

    Heat and Ronin destroy a movie like this. If you think this movie deserves even half what say a movie like Heat or Ronin get you are mentally ill.

  • Teenage boredom
    by andre310778-35-614164 on 29 June 2017

    134 out of 231 people found the following review useful:

    Just saw this in cinema. It seems to have been written with a teenage audience in mind that doesn't ask any questions, or has demands like story or character development or narrative flow and just buys the movie as is. IMDb rating of 8.6 at the time of writing this here... how...?

    My gripe with this one. The love story overall felt flat and emotionless and awkwardly cheesy with matching dialogue. The shots fired in the shooting scenes were actually synchronised with the soundtrack playing, with that giving the movie a corny / cheesy feeling. Awkward and clichéd one liners, acting from teeny main leads wasn't believable at times. Car scenes were OK, hence 2 stars, the ending was drawn out, felt rushed and discombobulated. I didn't really care for any of the characters tbh, apart from Jamie Fox.

    Overall this movie felt like watching a teenagers room. Everything was there just unorganised, messy and one doesn't quite know what to make of it...

    Wouldn't recommend to watch it in cinema, wait for Netflix release or DVD. One time watch and quite forgettable, sadly.

  • Well Executed but Boring
    by Cacho on 10 July 2017

    177 out of 319 people found the following review useful:

    The execution and quality of the film making was great, but overall I quickly got bored watching this movie as none of the character's motivations seemed realistic or made sense to me. The action sequences were great, but didn't do anything especially unique or carry any suspenseful weight with the plot that I found myself yawning during much of it. Perhaps it needed more shocking gore.

    The movie seemed to be a bit confused in its tone, mixing stylized violence with comedy and serious heist elements. It was set in a realistic world, but the characters and their motivations were not. It felt like it was trying to rekindle the essence of a Tarantino cool bad guy heist film like Reservoir Dogs and Pulp Fiction, but missed the mark. I found myself not believing the heist scenarios enough or having enough of a stake in them. It needed a stronger overall macguffin.

    The use of Music was unique, but I would've have got more out of it if more obscure music was used, like what the GTA video game series does curating amazing forgotten B-side gems from famous artists.

    I felt like Jamie Foxx's acting talent was a bit wasted, and the bland Atlanta backdrop seemed like a production budget restraint. I wonder what city was written in the original script? I doubt anyone writes for Atlanta. Rather than transporting us to a cool city that feels lived in and feels like a real location, this just felt like a boring block of downtown brick buildings to shoot car chases and shootouts in.

    I love most of Edgar Wright's other films, so I'm not sure why this was so boring for me. It just didn't do anything new for me and will probably be forgotten from my film memory years from now.

  • Don't believe the Hype
    by amacaluso-86532 on 5 July 2017

    234 out of 438 people found the following review useful:

    I may have been more generous with the rating I chose, however due to the overwhelming number of highly positive reviews, I feel that some brutal honesty is required here.

    The main themes in most of the reviews I've stumbled across are that this movie has a refreshingly original story and that the car chase scenes were exceptional. Neither circumstance holds true. The story was as cut and dry as any in this genre and the car chase scenes were bland, boring, and made no sense to me. Compared to a movie like Drive, where the protagonist's backstory actually lends to his driving skills (stunt car driver, motorsports participant), in Baby Driver, we're supposed to believe that some kid somehow acquired exceptional getaway driver abilities because of...tinnitus? There is no connection here, not to me anyway. And as for the chase scenes, utterly boring and unoriginal. The cars were completely lame too. Taking Drive as a point of contention again, the cars in Drive even have some degree of backstory to make the seemingly unbelievable chase scenes more believable...upgraded chassis, suspension, and souped up engines. In Baby Driver, we're given nothing more than showroom stock grocery getters...not even the top end models of the cars were chosen to take on the challenges. It was just all around stupid to me and I was left disappointed.

    OK so the soundtrack was good. But this is not Forrest Gump where a compelling, original story is amplified by a perfectly curated soundtrack. Instead, it's a collection of good music used in campy fashion. If what you're after is the soundtrack, get a Spotify account. Dollar for dollar you'll get a lot more out of it, I promise.

  • Believe the hype
    by somf on 22 June 2017

    193 out of 362 people found the following review useful:

    Everything about the film is pretty much pitch perfect if you ask me. Lets start with the cars. I have not been a fan of Fast and Furious films, but the chase scenes in this film run circles around that series if a certain reality of the moves matters to you. This is more in line with Bullit,French Connection, and the Italian Job films as far as great chases.

    The music, fun, simply fun. Songs from every decade of my lifetime.

    Action best pure adrenaline action in years. You will be truly on the edge of your seat during much of the film.

    Humor, what can I say, love Edgar Wright's humor and this is his best.

    And oh what a cast! Loved every one of the leads performances. I think Ansel was a standout, but come on Jamie Foxx, Spacey, Hamm and the beautiful Lily James. And the other leading lady, Eiza Gonzalez, was unknown to me, but she was great with one terrific diner speech in particular. I was lucky enough to see this at an early screening in Denver. I will be seeing this in the theaters once again when it opens, and I very rarely watch movies more than once.

    Sometimes when I see a review fawning over a film like this, I think troll. Best way to check that out is see how many films the reviewer has reviewed and rated. I have over 4,000 rated films here. Not a lot of tens either.Best film so far this year.

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